
30.5.11
Royalty in the carport

29.5.11
Crammed

I was on the fifth floor of the faculty library. There is not enough room to navigate the shelves. You have to walk in sideways to get at the book. And then you need to bend through your knees and squat in a very inconvenient manner if you want to reach for a book if it is on the bottom shelf.
I had to take a picture and post it here -for added dramatic effect- because no one would believe me if I just mentioned how small it was. The yellow notebook is A5 format. It leaves just a little space left and right of it. A4 fills up the entire space. That's how small it is.
28.5.11
Theft from new MAS museum in Antwerp

Qudos to the thief for nabbing that horn. It was child's play really. No alarm, not in a lockable display case. And apparently no guards around to see someone meddling with an artefact. Director Paul Depauw said: 'We now know what the critical points are and how we have to deal with the public. There will be extra camera's and also 'do not touch'-signs. Some of the objects will be moved behind plexiglass walls'.
Sorry to roll my eyes here, but I seem to recall an article that appeared in The Economist not two weeks ago where Depauw says: “if you don't take care of objects, who is going to tell us stories about the past?”

How can you not notice the critical points before opening. Never heard of a risk assesment?
And the measures that will be taken; they're as useful as fitting an alarm to a house that has already been burgled. Or, to use Tom Flynn's expression: that will be as effective as installing an ashtray on a motorcycle. Or in Blackadder's: as useful as a cat flap in an elephant house.
Tragic as though it is, this goes to show (again) the sheer naieveté Belgian museums have concerning thefts from public musea. Putting up 'do not touch'-signs. Will you believe it.
x-posted from The Art Detective blog.
27.5.11
The night has eyes

They're going to have to battle it out who's on the top of the food pyramid.
New life

There had been a lot of ruckus going on one night, in the morning when I opened the gate to drive the car out, there it was: a brand spanking new horsie. Its hooves are still pristine white. Poor dear is asleep every time I glance outside.
26.5.11
The new cow in town

I was a bit startled to find a cow on the Ladeuze square on Wednesday.
A socialist trade union had organized a spot of Crap yourself rich, proceeds would go to the Cancer Fund.
At 1.30 pm the beautiful beast was let out of its box.
When I came back from class around 4 it still hadn't crapped.

Never in my life have I ever seen so much people stand in expectation of a cow doing its business. Really.
It must be like watching wallpaper dry.
Honestly. If you were a cow, would you be able to go with all those people looking at you?
25.5.11
Sebastian Skywalker
24.5.11
20.5.11
Too busy for anything

So no rest for the wicked.
I finally managed to do some shopping today, which was long overdue, since I hadn't bought food since Dr Livingstone was home. Well, except for that loaf of bread at the start of the week.
I've been doing the full student experience this week, even eating at the student restaurant.
And subsequently having a gruelling cold and germs to match. Bleh. I hate being around that much people.
Anyhow. I'm going to resume my creative writing, shove some healthy fruit and veg down and then finish the day with a nice detective on the telly.
13.5.11
Happy Birthday!
10.5.11
The Politics of Traditionalism in French Art (19000-1914)

I was familiar with the work of Emile Bernard just up to the point he left for Africa. This because I had recently read 'The Yellow House'. What I didn't know was how Bernard's work evolved from the cloisonist to the idéalist style he later defended within his favoured approach of art (dubbed traditionalism). Very enlightening and very elegantly worded by Professor McWilliam.
I refrained from asking a question as I didn't want to make a complete arse of myself in front of my two professors who organised the lecture.
I don't know why but throughout the words Marcel and Proust leapt to mind...
7.5.11
Book worms mice
5.5.11
Metallica in the library

The library is absolutely dead silent (except on market days), but when the big bell is struck you can feel the sound going through the whole building.
4.5.11
It's .... another book!

I'm taking a course on decorative arts next year, and it was recommended to us by a professor.
I'd say tapestries are one of our most successful export products to date. That and vertical windmills.
3.5.11
Statler & Waldorf at the archive

The archive opens up at half past eigh, I got there around quarter to nine, traffic was slow. Next to my working area were already two pensioners hard at it. They were reading aloud to each other. They were like Statler & Waldorf.
Anyhow, I ordered tons of archive material to thumb through. I was halfway into a box of stuff and found something of interest. I'm currently doing research on a cycle of 25 paintings on the life of Saint Rumbold.
I discovered a missing tableau. Hurrah!
Alas, that was not really the focus of my angle. I was writing about them from an iconological viewpoint, more specifically the nachleben of some panels in 19th century building 'restauration'.
Ah well, can't win them all.
2.5.11
A colour orgy


1.5.11
Greetings from the garden

All prim and white, slightly glistening with morning dew.
It exceeded all expectations of what would come out of the buds I posted on earlier. I thought they were going to be some king of ordinary orange or pink. But this pristine white bloom is so pretty. If I were a bee I'd choose this one to gather pollen. It has these attractive folds. Nature really outdid itself again.
Pitty Dr Livingstone is not around to see them.
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