The Politics of Traditionalism in French Art (19000-1914)

Just got back from an entertaining lecture by Neil McWilliam on the politics of traditionalism in French art (1900-1914).
I was familiar with the work of Emile Bernard just up to the point he left for Africa. This because I had recently read 'The Yellow House'. What I didn't know was how Bernard's work evolved from the cloisonist to the idéalist style he later defended within his favoured approach of art (dubbed traditionalism). Very enlightening and very elegantly worded by Professor McWilliam.
I refrained from asking a question as I didn't want to make a complete arse of myself in front of my two professors who organised the lecture.
I don't know why but throughout the words Marcel and Proust leapt to mind...

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