
It was a very entertaining read. Here are some highlights of the sections I enjoyed most (paraphrasing on the quotes):
Stuart Davis chafing at the neverending complaints of conservative academics artists from the American scene and social realists about the un-pure and unamerican that was latently present in the modernistic embrace of European styles. America was a melting pot, a land of immigrants, why couldn't art be that too?
"I am as American as any other American painter...Over here we are racially English-American, Irish-American, Russian- or Jewish-American - and artistically we are all Rembrandt-American and Picasso-American. But since we all live and paint here we are, first of all, American."
I was also very touched by the Rivera fiasco in the Rockerfellor Centre and disgusted at the over-painting of Brooks' work.
On the uprise of early modernisme in the twenties and on the work of Georgia O'Keefe:

Hihi.
I was surfing the net to see how the book was hailed ten years ago on its publication. I found a really
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